Services

What we make.

A documentary filmmaker and a corporate filmmaker in Abuja, plus the videographer for a wedding, an event, a commercial, or a podcast. Mix them however the story needs.

Story

We start with what the organisation actually is, and the line the film is not allowed to lose.

Narrative and creative direction

Script, treatment, and interview questions. For executive and ministerial rooms, a treatment deck and a schedule people can keep.

Documentaries

Four to five minutes, or a fuller seven to ten. Interviews, the place itself, and the archive when the story has a past. Agricultural, environmental, and corporate impact films sit here.

Interviews and podcasts

Sit-downs with executives, technical leads, and beneficiaries, and a podcast episode filmed the same way. Lit, mic’d, and cut so a quote survives outside the room.

Campaigns

One idea, cut for the hall and for the phone, so the brand is actually met.

Jingles and promos

Short films before an event or a launch. Television and the plenary in 16:9. The phone in 9:16. About 45 seconds to a minute.

Mass-media campaigns

The message, the films, and the cuts a ministry, an association, or a brand needs beyond one room. That includes public-health communication such as front-of-pack warning labels in Nigeria.

The day

Coverage of the room, and the wedding week told from a view the couple could not have had.

Summits and live days

Multi-camera keynotes, panels, and the signing. A two-person crew when the day is tight, or a wider crew with sound and a gimbal. A short recap can follow the same day.

Weddings

The days leading up to the wedding, and the wedding itself, told like a reality show. Photography sits beside the film. Hourly base rates are on the rate card.

Finish

Edit, grade, and sound, then the versions a hall and a phone can both play.

Cinema finish

Edit, DaVinci Resolve color, sound, score, subtitles, and lower thirds. A lean balance, or a full cinema mix when the film has to hold a hall.

Versions that ship

Masters for the room, cuts for television, and vertical cuts for the phone. The story stays. The frame changes with the place it has to be seen.

Who it's for

Organisations, brands,
and the wedding itself.

The studio does not only film a person. Organisations and brands hire us to finish a story and be seen. For a wedding, we carry the days before it and the day itself.

Who we work with

Organisations and brands.

Hired to show an institution as it is: the programme, the people, and the public result.

Worked with

Aquari
SeedWorld

How a job runs

From the brief to a film people can watch.

Brief. What the organisation is, who must understand it, and where the film has to appear.
Narrative. Script, questions, archive, and a treatment the stakeholders can approve.
Production. Interviews, locations, and the live day.
Finish. Edit, grade, sound, versions for the hall and the phone, then the masters.

Questions

Before you write.

How is the work priced?

Production and wedding coverage are billed by the hour. The figures on the rate card are base rates. The price changes with the request: the hours, the crew, the finish, and the day.

Do we have to pick one service?

No. A campaign can hold a jingle, interviews, a documentary, and the record of the day. You brief the story once.

How are documentaries priced?

A documentary, or a film that does not fit a line on the card, is a custom quote from the story, the days, and the finish.

Start

Tell us the story that has to be understood.

View the work